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You’ll probably have a base bio with swappable anecdotes and details like a Mrs. Here’s where we come back to: you will not have one bio to rule them all.
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But that’s different from saying you’re an award-winning screenwriter.Įxample: Christina is currently focused on beginning development for her third feature, Silent Night the screenplay for which was a quarterfinalist in Slamdance's 2016 Screenplay Competition.Įxample: Bri’s latest webseries script, the 10-episode supernatural mystery Dead on Arrival, was chosen for the 2021 Stowe Story Labs, and was a finalist for one of their fellowships. If you have a specific award to mention, and it feels relevant to the circumstances of you writing this particular bio, absolutely include it.
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At least, no one reading your bio for the purposes of hiring you or selecting you for a fellowship cares. unless those awards are from recognizable sources (Sundance, Cannes, etc.), no one cares. “Award-winning” is so common in filmmaker bios it’s rendered almost completely meaningless (or worse, cringeworthy) because. Notice that so far, none of my examples have mentioned my podcast co-host Christina or I being award-winning, despite the fact that we have, through our years of independent filmmaking, won awards we’re quite proud of. Her work, consisting of over a dozen short films, a web series, and two feature films, has screened at film festivals around the world with coverage on press outlets such as Indiewire and BuzzFeed.Įxample: Bri Castellini’s work in the dramedy space primarily deals with queerness, type A female leads, and mental health, which you can see in action in her short film Ace and Anxious (150k views on YouTube). What are the unique aspects of your work in general, and what’s an example of your work that has a concrete accolade to include? And, if applicable, how does your personal identifier or mission statement from your logline interact with your work?Įxample: With an affinity for ensemble pieces and punchy dialogue, Christina Raia focuses on character-driven and socially conscious horror and comedy, using genre as a lens to represent, discuss and dissect social issues, otherness and real-world anxieties.
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#Comedy logline examples full
A bio isn’t the full conversation, it’s just the icebreaker, so choose one or two (MAX) role identifiers for yourself and then pair that with either a unique personal identifier or your mission statement as a creative.Įxample (personal identifier): Bri Castellini is an asexual writer and director of dialog-driven dramedies and supernatural-slanted mysteries.Įxample (mission statement): Bri Castellini is an asexual screenwriter dedicated to expanding the representation of asexual film and television characters beyond the sole six characters that currently exist.ĭepending on what you want to be/are known for, now’s the time to name drop and list a bit. In fact, rather than looking prepared and skilled, it makes you look desperate. Multi-hyphenates are more and more common (and sought after) these days, but it’s hard to know where a stranger or applicant is coming from when they identify themselves as every possible film role. Common misconception: the best way to distill yourself is not, in fact, a list.
#Comedy logline examples professional
The same way you distill your project into a single sentence is the way every professional bio should start. As such, nailing your professional bio, and understanding that a single bio cannot rule them all, is an invaluable skill for every aspiring writer, filmmaker, director, and beyond.
#Comedy logline examples how to
It’s not enough to write a beautiful script, or have a list of accolades as long as Hollywood Boulevard-unless you know how to succinctly explain who you are as an artist/creator, the uphill battle of getting taken seriously gets steeper.